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Melbourne Fringe: Touring With a Toddler Installment 1

Writer's picture: Jenny WynterJenny Wynter

Tech run today. Happy times. Started off with Mister Two making himself well at home in the theatre. Hey, he has been onstage since he was a foetus, so I guess it makes sense.


The space at Revolt Melbourne is UNBE-FREAKING-LIEVABLE. Seriously. Agh. I am going to do my darndest to do a video tour of it just to share some with you, it is better than robot space-cake.

Then a slight technical hitch in the form of my planned piano for the run not working out after all. The beyond amaze-balls Rebecca from A Green Cow (who, I must add, has displayed stunning friendship without having ever even met me in real life! I mention this as I have been musing greatly lately over the difference between “friends” and “acquaintances”,) promptly did her darndest to help find me a suitable replacement. I felt most loved.

Tech runs, in-house photography, a quick phone interview with a local paper (they’re taking a pic tomoz of me, Cassidy and the puppet = a craze-a-tois) followed by a phonecall that made me do a happy dance: wonderful Allan’s Music + Billy Hyde saying they would provide me with a most faboosh keyboard for the show run. What can I say? Beyond thrilled. You will have to excuse me as I bestow my thanks upon them with shameless mentions here on CM. I am so grateful I am just full of great!

The journo today asked me what it was like having my toddler with me while I try to stage a show. Day two and a night away from the opening show of the fest, I can say this: it’s exhausting (not that I didn’t think it wouldn’t be.) But, I get cuddles!

*Note: realising the above paragraph is so lacking in insight or wit that I just want to plead it as a brilliant demonstration of the fatigue of which said paragraph mentioned. Next.

In other news, this made my day.


So happy. And exhausted. Opening night tomorrow! AGH! TO BED!

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I acknowledge the Gubbi Gubbi, Wakka Wakka and Butchulla peoples, the First Nation Traditional Owners of Country, and custodians of the land and waters on which I live and work, and all the peoples who have welcomed me on Country. I pay respects to all Elders past and present and acknowledge the young leaders who are working beside Elders in our cultural industries in the continuation of cultural, spiritual and educational practices. I recognise all First Nation peoples as the original storytellers of these lands and acknowledge the important role they continue to play in our community.

Jenny Wynter

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